Mahdi Baniasadi Baghmirani; Ali Asgari
Volume 11, Issue 3 , December 2022, , Pages 7-25
Abstract
Contemporary art is indifferent to the spiritual vision and originality of the work and prefers the false emotions derived from form building over the beauty of truth. This decline ...
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Contemporary art is indifferent to the spiritual vision and originality of the work and prefers the false emotions derived from form building over the beauty of truth. This decline can help to create more sublime works, with the Islamic artists paying attention to spiritual values. This redefinition of the importance and finding their meaning in the Wahdani. texts requires paying attention to the three issues of the “revelation course of the Divine Names,” “the relationship between the form and the meaning,” and “the truth of beauty” so that it can lead the Islamic art thought toward the creation of the sublime art. The present study is qualitative with a content analysis approach that uses the library method to study and investigate the philosophical, mystical, and literary texts in Islamic art to find common monotheistic propositions related to the subject of the study. In aesthetic and religious thought, Islamic artists consider creativity based on the perfection of the Almighty God and the concepts of existence. This creativity depends on the Divine creation, and the artist depicts the meaning of the Divine image. The mentioned process, in its continuity of work and content, takes place in various artistic forms to represent the principle of unity with some principles such as centrality, light, interaction with nature, geometry, equilibrium, privacy, and a mysterious design.
